tag:blogger.com,1999:blog-38320053510037148442024-03-05T18:43:26.479+01:00Les Continents SonoresUnknownnoreply@blogger.comBlogger29125tag:blogger.com,1999:blog-3832005351003714844.post-53375297461930051632014-02-16T15:31:00.001+01:002014-02-16T15:33:48.382+01:00Thomas Lehn / Eugene Chadbourne :: C Inside<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsw4lswipw3OZqaYU2ryp3IYtTfRSOePYg-PMN3Y2BgFvoSxEWa7J1fzj8byuK1GV5lM3DidrB5M_qocS0z7TYyp81jNvFY7ohFeZ_EQRnMpSFzo11WQGkVL6f5e60MLLmFUYeSKNddcEg/s1600/C_Inside.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsw4lswipw3OZqaYU2ryp3IYtTfRSOePYg-PMN3Y2BgFvoSxEWa7J1fzj8byuK1GV5lM3DidrB5M_qocS0z7TYyp81jNvFY7ohFeZ_EQRnMpSFzo11WQGkVL6f5e60MLLmFUYeSKNddcEg/s1600/C_Inside.jpg" height="200" width="200" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsYHGrt12_mrqsKFm4JqBVC61RlLmQaQITRakXbKha0C9503tdSQXN0SGcdQuOmYEiSzyPhAD2l7kdqXoM6RqdhdUp26ArQBOuz2Gvwf-MbOeyWgyNnkCSoMUUdsWBEAAEk6HXyE8OS5-r/s1600/Brunhild_Ferrari.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Playing last friday at <i>Les Instants Chavirés</i> (Paris)</span></span><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"> were <b>Thomas Lehn</b> and <b>eRikm</b> as a <a href="http://youtu.be/x_dd0Q8-hAU" rel="nofollow" target="_blank"><b>duo</b></a> just after <b>Sudden Infant</b>. Very nice playlist and concert indeed. The first time I saw <b>Thomas Lehn</b> performing live on his wacky analog synthesizer was at that very same place ten years before, with <b>Eugene Chadbourne</b>: CInside \ Chadlehn _ {GROB 205CD / 2000} <a href="https://app.box.com/s/ogpfznrlcvtt09zv77b8" rel="nofollow" target="_blank"></a></span></span><br />
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<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"> Next to me was sitting <a href="https://www.google.com/search?q=brunhild+ferrari" rel="nofollow" target="_blank"><b>Brunhild Ferrari</b></a>,
who left her full glass on the ground from the</span></span></span></span><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"> </span></span></span></span>beginning to the end of
the concert at a small distance from a massive deep loudspeaker.</span></span></span></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-49390886559972615022013-11-10T10:55:00.001+01:002013-12-24T09:13:53.161+01:00Pierre Henry :: La Ville / Die Stadt {Metropolis Paris}<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibzXfHcNSQpT7ElezvUenyjQSqZv6EDV0K70m4_CCeJXMOvAC48XhQ5y3ulXg7ZDbDpnIK27ELaAIUrwsv-St0bIMvBSFqWUlffKl8fWQxHUVkWvbscev7-lL-lfqCFwQ-NI7-IXkyOqa8/s1600/PierreHenry_LaVille.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibzXfHcNSQpT7ElezvUenyjQSqZv6EDV0K70m4_CCeJXMOvAC48XhQ5y3ulXg7ZDbDpnIK27ELaAIUrwsv-St0bIMvBSFqWUlffKl8fWQxHUVkWvbscev7-lL-lfqCFwQ-NI7-IXkyOqa8/s200/PierreHenry_LaVille.jpg" width="200" /></a></div>
<span style="font-family: "Courier New",Courier,monospace;">Definitely inspired by Walter Ruttmann’s Wochende (1930), 'La Ville - Die Stadt' was commissioned by the Westdeutscher Rundfunk (Klaus Schöning) in 1984. Hummings, drummings and tickings</span><span style="font-family: "Courier New",Courier,monospace;">; this sound piece always was the true Paris soundscape to me (far from the Saint-Germain-des-Prés jazz clichés!).</span><br />
<span style="font-family: "Courier New",Courier,monospace;">Pierre Henry - La Ville / Die Stadt (Metropolis Paris) / 1994 WERGO — <a href="http://www.mediafire.com/download/u2d6b4bun6i27y8/HENRYP_DIESTADT.zip" rel="nofollow" target="_blank"></a></span>Unknownnoreply@blogger.com5tag:blogger.com,1999:blog-3832005351003714844.post-16886809511797611372013-06-16T08:07:00.001+02:002013-06-16T08:45:34.161+02:00René Zosso + Clémencic Consort - Cantigas de Santa Maria<span class="watch-page-link"></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYVMX4rIy9U05L3Y_eC0J2ookMx1criZFTuoeKlqM0UfUF8T4mGyxJ29iezuv9qq-QJucixl2ZEAQKHIgdTZJTvDgU2K2eBjGJwzBWR6g_kt0ET156zgqc8dhubYn6AM0czwCm0FC1hpkr/s1600/CantigasSantaMaria_Clemencic.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYVMX4rIy9U05L3Y_eC0J2ookMx1criZFTuoeKlqM0UfUF8T4mGyxJ29iezuv9qq-QJucixl2ZEAQKHIgdTZJTvDgU2K2eBjGJwzBWR6g_kt0ET156zgqc8dhubYn6AM0czwCm0FC1hpkr/s200/CantigasSantaMaria_Clemencic.jpg" width="200" /></a><span style="font-family: "Courier New",Courier,monospace;"><span class="watch-page-link"><span class="watch-page-link">Surprisingly,</span><b><span class="watch-page-link"> </span>René Zosso</b> & <b>Anne Osnowicz</b> were playing a few weeks ago at <b><a href="http://www.sonicprotest.com/" rel="nofollow" target="_blank">Sonic Protest</a></b> in Paris.</span></span><br />
<span style="font-family: "Courier New",Courier,monospace;"><span class="watch-page-link">René
Zosso is a great <b>hurdy-gurdy</b> performer, who has been playing with <b>René
Clemencic</b> and his <b>consort</b> for quite a long time, and with whom he
committed several uplifting recordings, such as <b><a href="http://lescontinentssonores.blogspot.fr/2010/11/le-roman-de-fauvel-clemencic-consort.html" target="_blank"><i>Le Roman de Fauvel</i></a></b>.</span></span><br />
<span style="font-family: "Courier New",Courier,monospace;"><span class="watch-page-link">Here are a fine selection of <i>Cantigas de Santa Maria</i> (written during Alfonso del Sabio's reign in the 13th century), also played with <b>Anne Osnowicz </b>along with zarb master<b> Djamchid Chemirani</b>.</span></span><br />
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<span style="font-family: "Courier New",Courier,monospace;">In Sonic Protest 2013, at <b>Le</b> <b>Cirque Électrique</b>, one could also discover</span><span style="font-family: "Courier New",Courier,monospace;"><b><span style="font-family: "Courier New",Courier,monospace;"> </span>Léo Maurel</b>'s strange music boxes, similar to hurdy-gurdies, giving all together a fascinating </span><span style="font-family: "Courier New",Courier,monospace;"><span style="font-family: "Courier New",Courier,monospace;">small scale </span>concert…</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">René Zosso + Clémencic Consort - Cantigas de Santa Maria (2CD) — {Harmonia Mundi 1995} — <a href="https://www.box.com/s/ciee8n42ntot0i00bwpj" rel="nofollow" target="_blank"></a></span>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3832005351003714844.post-7055617055298843702013-06-09T17:29:00.001+02:002013-06-09T18:07:58.248+02:00Prophet 34 — Sara du Tchad<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUW5DMog22Z8Du1qYtO4YZ9CYJCvxgHCW6nxSCWsR0bnetpDMRmbcHl9rlPq_SwkuMrqZqrSJWU8-JvBarO3NAn8PJ-fDpaagDgWF4imnSluy1cqihuo3ntLR13j9idSl5u6Kw5Ghs2itE/s1600/SaraDuTchad_cov.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUW5DMog22Z8Du1qYtO4YZ9CYJCvxgHCW6nxSCWsR0bnetpDMRmbcHl9rlPq_SwkuMrqZqrSJWU8-JvBarO3NAn8PJ-fDpaagDgWF4imnSluy1cqihuo3ntLR13j9idSl5u6Kw5Ghs2itE/s200/SaraDuTchad_cov.jpg" width="200" /></a></div>
<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Recorded in the sixties by <b>Charles Duvelle</b>, also founder of the <b>Ocora</b> (<i>Office de Coopération Radiophonique</i>) collection, here are pretty rare sounds </span></span><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">from the Sara people in the south of Chad. Listen to their <b>nilotic</b> language, sung in many repetitive patterns (such as '<i>chant et harpe</i>' or the '<i>orchestre de sifflets et percussions</i>'). The photos taken <i>in situ</i> by Duvelle at the time of the recording and reproduced in the leaflet are quite outstanding as well.</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Sara du Tchad _ collection Prophet #34 _ 2003 _ <a href="http://www.mediafire.com/?r3l2qsg9qnswh5b" rel="nofollow" target="_blank"></a> </span></span><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"></span></span>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3832005351003714844.post-13673997719842313242013-04-07T19:07:00.002+02:002013-04-07T19:10:41.489+02:00Music and songs from Mauritania - Dimi Mint Abba<div style="font-family: "Courier New",Courier,monospace;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6e24LdAS2b_SBHt3cIFH995BMzy_1ffj3xnI_rN_r4Biw2j__tZcsrwsXvLFX7vkL9xkeYLZXLuzCoNIogUy29stDi_8yDLTjHPsoCocgsTxqQKRNMjyk7EDsM2AvTJOMr-B9W4XKDD_G/s1600/DimiMintAbba.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6e24LdAS2b_SBHt3cIFH995BMzy_1ffj3xnI_rN_r4Biw2j__tZcsrwsXvLFX7vkL9xkeYLZXLuzCoNIogUy29stDi_8yDLTjHPsoCocgsTxqQKRNMjyk7EDsM2AvTJOMr-B9W4XKDD_G/s200/DimiMintAbba.jpg" width="200" /></a><b>Dimi Mint Abba</b> was the most famous and prominent mauritanian griot or '<b>Iggawin</b>' in Mauritania. This is one of her first recording from the early 90s (originally released by Auvidis in 1989), where she plays with her husband <b>Khalifa Ould Eide</b>. Listen to her powerful voice, accompanied by the '<b>ardin</b>', a mauritanian harp also used as a percussion. A very nice mix of arab and manding music emanates from this album.<br />
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Check the <a href="http://www.discogs.com/Dimi-Mint-Abba-Music-Songs-Of-Mauritania/release/3685433" rel="nofollow" target="_blank">Discogs</a> file for this recording _<br />
1992 — Auvidis ethnic B6768 — <a href="https://www.box.com/s/9ryd379lder297ydt1ko" rel="nofollow" target="_blank"></a> </div>
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3832005351003714844.post-23856953410848748852013-02-02T15:57:00.001+01:002013-03-30T21:55:03.503+01:00Music Made In Merde - (volume 1)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;">Proudly introducing</span><span style="font-family: "Courier New",Courier,monospace;"> my first playlist: exclusive french <b>rarities</b> and <b>margin music</b>, a mix of famous (Brigitte Fontaine, Michel Portal, Jacques Higelin, Bobby Lapointe, Jacno) and less famous artists (David Fenech, Jean-Marie Massou, André Robillard, Le Chevalier de Rinchy, </span><span style="font-family: "Courier New",Courier,monospace;"><span style="font-family: "Courier New",Courier,monospace;">Ghédalia Tazartès</span>). The photo above was shot in summer 2011 in Limoux (south of France) and is an unexpected artwork from a </span><span style="font-family: "Courier New",Courier,monospace;"><span style="font-family: "Courier New",Courier,monospace;">nationalist </span>outsider artist!</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">1 - <b>André Robillard</b> / "Le temps des cerises" (2002)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">2 - <b>Bobby Lapointe</b> / "La question ne se pose pas" (1967)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">3 - <b>Brigitte Fontaine</b> / "On n'est pas des chiens" (1966)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">4 - <b>Les Charlots</b> sing <b>Boris Vian</b> / "Une bonne paire de claques dans la gueule" (1969)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">5 - <b>Le Chevalier de Rinchy</b> / "Je ne pense qu'à ça" (2006)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">6 - <b>David Fenech</b> / "La Boum 2005" (2005)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">7 - <b>François de Roubaix</b> / "Indicatifs Télé Zaïre" (?)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">8 - <b>Mori Totti </b></span><span style="font-family: "Courier New",Courier,monospace;">/ "Tristesse" </span><span style="font-family: "Courier New",Courier,monospace;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-family: "Courier New",Courier,monospace;">(Frédéric Chopin) </span></span>(1939)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">9 - <b>Ghédalia Tazartès</b> / "Je t'aimerai toujours" (2000)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">10 - </span><span style="font-family: "Courier New",Courier,monospace;"><b><span style="font-family: "Courier New",Courier,monospace;">Dashiell </span>Hedayat</b> / "Fille de l'ombre (with gong)" (1971)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">11 - <b>Jacques Higelin</b> / "Tiens, j'ai dit tiens" (1971)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">12 - <b>Jean-Marie Massou</b> / "Complainte" (années 2000)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">13 - <b>Philippe Katerine</b> plays <b>Jacno</b> / "Rectangle" (2011)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">14 - <b>Métal Urbain</b> / "Ultra violence" (1978)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">15 - <b>Michel Portal</b> / "Splendid yzlement" (1971)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">16 - <b>Monty</b> / "Au bois de Boulogne (Aristide Bruant)" (1935)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">17 - <b>Pascal Comelade</b> / "Automne" (1980)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">18 - <b>Pusse</b> / "Le bon temps poilu" (2004)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">19 - <b>À trois dans les WC</b> / "Contagion" (1979)</span><br />
<span style="font-family: "Courier New",Courier,monospace;">20 - <b>Vincent Malone</b> / "I just call to say I love you" (1995)</span><br />
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<span style="font-family: "Courier New",Courier,monospace;"><span style="color: #7f6000;">— <span style="color: black;">"Music Made In Merde vol.1"</span> / Les Continents Sonores 2013 _ <a href="https://www.box.com/s/hs3juhl6balhsr6b7a4f" rel="nofollow" target="_blank"><span style="color: black;"></span></a></span></span>Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3832005351003714844.post-68447430399071591212013-01-26T10:12:00.000+01:002013-01-29T08:46:42.725+01:00Sylvain Kassap — Saxifrages!<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjem4P_1hIwTOXp5GsYQPc4_oI6ctZZX1oFJwL0gOI0w8VXMl-OKaO57wW4RBRI50Kq1fOxeeuZ0Li3z_k7Z7R_PH_cW70sHG9845AW6BXuDPYlYOugN7sgvL7oblmttH3w__0cOQ3w7WTs/s1600/Saxifrages.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjem4P_1hIwTOXp5GsYQPc4_oI6ctZZX1oFJwL0gOI0w8VXMl-OKaO57wW4RBRI50Kq1fOxeeuZ0Li3z_k7Z7R_PH_cW70sHG9845AW6BXuDPYlYOugN7sgvL7oblmttH3w__0cOQ3w7WTs/s200/Saxifrages.jpg" width="200" /></a><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Playing with <b>Ensemble Laborintus</b> and guest <b>eRikm</b> yesterday night at <i>Instants Chavirés</i> (Montreuil, France) I saw <b>Sylvain Kassap</b>, a great clarinet player. He is the author of one fine album originally released in 1985 on label Evidence: <b>Saxifrages!</b>, named after those tiny mountain flowers able to break rocks apart. The piece presents a fabulous <span class="st"><i>Smörgåsbord</i></span> of great french musicians such as Bruno Chevillon (dbl bass), Jacques Mahieux (dms), Pablo Cueco (perc), Claude Barthélémy (guit), Yves Robert (tb), Michel Godard (tuba), Gérard Buquet (tuba).</span></span><br />
<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">— Saxifrages - {Evidence – EV 102} / 1985 — <a href="http://www.mediafire.com/?aad9ty1vni1g31k" rel="nofollow" target="_blank"></a></span></span><br />
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Unknownnoreply@blogger.com6tag:blogger.com,1999:blog-3832005351003714844.post-83671704462721107192012-11-30T12:34:00.000+01:002012-11-30T12:34:45.088+01:00Christian Marclay / Elliott Sharp – High Noon<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSnNlfMyGYehI_livvN5KKfbUJ-1EVx5em6Bxucgv4GSPRcwVVWwzW2R1Irw6llDvf6tuN2LEXa7ee0byoiSg4AUqJ7pbnZ9A1hOY404EOneYeesuIVGfbi1aKk11WpHmrfbsdojcT9xgu/s1600/Christian+Marclay+++Elliott+Sharp+-+High+Noon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSnNlfMyGYehI_livvN5KKfbUJ-1EVx5em6Bxucgv4GSPRcwVVWwzW2R1Irw6llDvf6tuN2LEXa7ee0byoiSg4AUqJ7pbnZ9A1hOY404EOneYeesuIVGfbi1aKk11WpHmrfbsdojcT9xgu/s200/Christian+Marclay+++Elliott+Sharp+-+High+Noon.jpg" width="200" /></a></div>
<span style="font-family: "Courier New",Courier,monospace;">A great release from two american sonic outsiders: <b>Christian Marclay</b>, one the first muscican who used turntables as a real mean of composing (a true DJ also as he literally trod on discs!) and <b>Elliott Sharp</b>, the multitalented guitar hero from NYC.</span><br />
<span style="font-family: "Courier New",Courier,monospace;">• listen to some excerpts <a href="http://biglemoi.free.fr/Pages/Marclay-ENG.html" target="_blank"><b>here</b></a></span><br />
<span style="font-family: "Courier New",Courier,monospace;">• check-out the <a href="http://www.discogs.com/Christian-Marclay-Elliott-Sharp-High-Noon/release/1084737" rel="nofollow" target="_blank"><b>release details</b></a> on Discogs</span><br />
<span style="font-family: "Courier New",Courier,monospace;">• Intakt Records – Intakt CD 063 - 2000 <a href="http://www.mediafire.com/?cjsx4rvivy6c63i" rel="nofollow" target="_blank"></a></span><br />
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-28430259582911799862012-11-22T20:56:00.000+01:002012-11-22T21:10:42.135+01:00Grand Nord - recordings by Deben Bhattacharya<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinSVJrzE4y8guUdRTpi8fGHfKyAXabywLhKSMmNM5EK20Ng0Mb2fLzsAHIo3Uz1RRbrrjIp3PnViFrW6uPuSbm0f8O0KAi7UzMn9UmY1a9b9rzWE3XJLTe1_l14Rv6XqYG8uIc6xKjh6xu/s1600/GrandNord_COV_BD.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinSVJrzE4y8guUdRTpi8fGHfKyAXabywLhKSMmNM5EK20Ng0Mb2fLzsAHIo3Uz1RRbrrjIp3PnViFrW6uPuSbm0f8O0KAi7UzMn9UmY1a9b9rzWE3XJLTe1_l14Rv6XqYG8uIc6xKjh6xu/s200/GrandNord_COV_BD.jpg" width="198" /></a></div>
<a href="http://en.wikipedia.org/wiki/Deben_Bhattacharya" rel="nofollow" target="_blank"><b><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;">Deben Bhattacharya</span></span></b></a><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"> recorded these pieces <span style="font-size: small;">some fifty years ago, in 1963 precisely,<span style="font-size: small;"> probably when he was working in Sweden. <span style="font-size: small;">This LP contains<span style="font-size: small;"> indeed traditionnal music from <b>Finla</b><span style="font-size: small;"><b>nd</b>, <b>Lapl</b><span style="font-size: small;"><b>and</b> and <b>Sweden</b>.</span></span></span></span></span></span></span></span> <span style="font-family: "Courier New",Courier,monospace;">Some of the finnish <span style="font-size: small;">p<span style="font-size: small;">ieces</span></span> have been later released on CD (Musique Populaires - Finlande - nord>sud NSCD 1170<span style="font-size: small;">), like the beautiful <i>Love song from Karelia</i>, played by <b>Tyyne Niikko</b><span style="font-size: small;"> on <a href="http://lescontinentssonores.blogspot.fr/2011/01/kantele-martti-pokela-eeva-leena.html" target="_blank"><b>Kantele</b></a>.</span></span></span><br />
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span style="font-size: small;">• </span>1963 {Musique Folklorique du Monde - Musidisc – 30 CV 1117}<span style="font-size: small;"> </span><a href="http://www.mediafire.com/?iblpmu57qa1osix" rel="nofollow" target="_blank"></a></span></span>Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3832005351003714844.post-47314412513360630382012-10-28T15:25:00.000+01:002012-10-28T15:25:20.138+01:00Stockhausen Stimmung: Collegium Vocale Köln<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik7tTxewPZmTkG7xqv_I0n0mxMhCxhOESV5D454_i7nJX457mjNkWBnw7MKjWs936YWqXynd6Zg-H4opxLAkAluOXq9iZ4bB2wSiXvdZb2sntfXdTBWwKJeimb18aWcDWUPuYphss5wKXs/s1600/Stimmung+%E2%80%94+fu%CC%88r+6+Vokalisten+Cov.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik7tTxewPZmTkG7xqv_I0n0mxMhCxhOESV5D454_i7nJX457mjNkWBnw7MKjWs936YWqXynd6Zg-H4opxLAkAluOXq9iZ4bB2wSiXvdZb2sntfXdTBWwKJeimb18aWcDWUPuYphss5wKXs/s200/Stimmung+%E2%80%94+fu%CC%88r+6+Vokalisten+Cov.jpg" width="200" /></a></div>
<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">This is the first recording of <b>Karlheinz</b> <b>Stockhausen</b>’s Stimmung, actually comissioned by the Collegium Vocale Köln in 1968, and recorded in 1969. Stockhausen wrote it in the US after he met (and taught to) minimalist composer <b>La Monte Young</b>… It seems that the <b>drone</b> influence was strong on him on this composition, for it does not sound like other piece I know of </span></span><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Stockhausen</span></span>.</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga6zJ2nsJzluJFZjIXbVaoILOPa0fuf53cAhCRbTsGcVWhvwj2Zqs-yVbMXoG7EWFctkrzNnLtYMOW6Wx6DzwJPZo_qTJR3pKLRSiKqjvCyuFwkY8J1xNb_sLyxaH2UbD6acd2sGPfRQTt/s1600/Stimmung+%E2%80%94+fu%CC%88r+6+Vokalisten+BackCov.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga6zJ2nsJzluJFZjIXbVaoILOPa0fuf53cAhCRbTsGcVWhvwj2Zqs-yVbMXoG7EWFctkrzNnLtYMOW6Wx6DzwJPZo_qTJR3pKLRSiKqjvCyuFwkY8J1xNb_sLyxaH2UbD6acd2sGPfRQTt/s200/Stimmung+%E2%80%94+fu%CC%88r+6+Vokalisten+BackCov.jpg" width="92" /></a></div>
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<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">This rip was made after a <span style="font-size: small;">mint vinyl disc<span style="font-size: small;"> </span>out of the ORTF archives and I pretty much appreciate the cracking sounds of the dis<span style="font-size: small;">c along with the hummings of the piece<span style="font-size: small;">. <b>Play it loud! ;)</b></span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><b> </b></span></span></span> </span></span><br />
<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">— LP rip — {Deutsche Grammophon avant garde 2561 043} — <a href="http://www.mediafire.com/?ot2wnzlt9quh27p" rel="nofollow" target="_blank"></a></span></span>Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3832005351003714844.post-16575088985616913352012-10-26T10:46:00.000+02:002012-10-26T10:48:19.601+02:00Gongs from Vietnam-Laos<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvmGrNPgSehp-lvoAumUh2Hj3aQBGxov0vrRmpPBgcm4mXeJLjFF03IKQflDVHUiRvQK_w_FH0G7cw1dVvt8P5W8vG835TcDx3oty2NuJgTwE0zRZwKyQLBMZKkJklucpmYUFhXtr99iEM/s1600/Gongs_VietNamLaos.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvmGrNPgSehp-lvoAumUh2Hj3aQBGxov0vrRmpPBgcm4mXeJLjFF03IKQflDVHUiRvQK_w_FH0G7cw1dVvt8P5W8vG835TcDx3oty2NuJgTwE0zRZwKyQLBMZKkJklucpmYUFhXtr99iEM/s200/Gongs_VietNamLaos.jpg" width="200" /></a></div>
<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;">A very widespread instrument in South East Asia, the
gong is mainly played on its own in small tribal mountain villages (just
like in other parts of Indonesia and the <b><a href="http://biglemoi.free.fr/Pages/PalawanHighlands.html">Philippines</a></b>).
But on the contrary to the sophisticated burmese or indonesian orchestras, the pace here is with little ornaments and
quite repetitive, only played along with small drums, sometimes with singing. The result is mesmerizing, hypnotizing like some unplugged techno music<span style="font-size: small;"> </span></span></span><span style="font-size: medium;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">— <a href="http://biglemoi.free.fr/Pages/VietnamLaos_Gongs-ENG.html" rel="nofollow" target="_blank">listen to an<span style="font-size: small;"> excerpt</span></a> —</span></span></span><br />
<span style="font-size: medium;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">— 2001 {PlayaSound PS65256} — <a href="http://www.mediafire.com/?n38x77q1l3jdinn" rel="nofollow" target="_blank"></a></span></span></span>Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3832005351003714844.post-6865277563370786312012-10-15T12:37:00.002+02:002013-01-29T16:53:00.808+01:00Katchinas - Gérard Marais Sextet<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMqRYxxSv6kvupsWUeYtri-jDDBGR0LWreMTk_52561IxYgcg_a3Ha0FgbdzTJED1dpTKNqesbis0AmUSsObElE3YFw5Dx5ZGtXyyJmuhy7_iw1kvqmu70lUjXuBUCVOXJVFw2ccCDwIEr/s1600/Katchinas_marais.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMqRYxxSv6kvupsWUeYtri-jDDBGR0LWreMTk_52561IxYgcg_a3Ha0FgbdzTJED1dpTKNqesbis0AmUSsObElE3YFw5Dx5ZGtXyyJmuhy7_iw1kvqmu70lUjXuBUCVOXJVFw2ccCDwIEr/s200/Katchinas_marais.jpg" width="200" /></a></div>
<span style="font-family: "Courier New",Courier,monospace;">A fine piece of french avant-garde jazz indeed, from the early 1990's. Featuring <b>Gérard Marais</b> (guitar), <b>Jean-François Canape</b> (trumpet), <b>Jacques Mahieux</b> (drums), <b>Henri Texier</b> (double bass), <b>Michel Godard</b> (tuba) and <b>Yves Robert</b> (trombone). You will defintively love it if you fancy <b>Albert Mangelsdorff,</b> fine swing and subtle compositions.</span><br />
<span style="font-family: "Courier New",Courier,monospace;">1990 / Thelonious {THE 0501} / <a href="http://www.mediafire.com/?dxbt0i4e17872kq" rel="nofollow" target="_blank"></a></span>Unknownnoreply@blogger.com4tag:blogger.com,1999:blog-3832005351003714844.post-67147971169599207452012-10-13T17:50:00.000+02:002012-10-13T21:08:44.423+02:00La Soustraction des Fleurs<span style="font-family: "Courier New",Courier,monospace; font-size: small;">Jean-François Vrod (whom I already spoke about in <b><a href="http://lescontinentssonores.blogspot.fr/2011/02/trio-violon-la-concordance-des-temps.html" target="_blank">this album</a></b>) was playing at Rosa Bonheur (Chevilly-Larue) near Paris a few days ago, with his trio <i>La Soustraction des Fleurs </i>(violin + zarb). A friendly and homely concert within the exhibition of his private "art brut" collection.</span><br />
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<br />Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3832005351003714844.post-80379927159879788562012-06-09T09:46:00.001+02:002012-10-13T19:11:06.099+02:00Poire_z : + {erstwhile 022}<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrpVTVxBQt6frYoPkm1t7HY00CYIGQuEsal4wROTKpQVlnHKwvhoLWEo2YyxifzqgpOf4JlMEJ4r_YmZUbNKC18V31aeGO_fUzNCrgxZOlpcqxJGUqxcd3F0dHdvbdtN-XzxTom0gDzqGm/s1600/JasonKahn+Gu%CC%88nterMu%CC%88ller_InstantsChavire%CC%81s_080612.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrpVTVxBQt6frYoPkm1t7HY00CYIGQuEsal4wROTKpQVlnHKwvhoLWEo2YyxifzqgpOf4JlMEJ4r_YmZUbNKC18V31aeGO_fUzNCrgxZOlpcqxJGUqxcd3F0dHdvbdtN-XzxTom0gDzqGm/s200/JasonKahn+Gu%CC%88nterMu%CC%88ller_InstantsChavire%CC%81s_080612.jpg" width="200" /></a></div>
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Günter Müller, Norbert Möslang and Jason Kahn were playing at <a href="http://www.instantschavires.com/" target="_blank"><i>Les Instants Chavirés</i></a> yesterday evening. A good opportunity to share a Poire_Z album featuring: <b>Günter Müller</b> - <b>Otomo Yosihide </b>- <b>Norbert Möslang</b> - <b>Christian Marclay</b> - <b>Voice Crack</b> - <b>Andy Guhl</b> - <b>eRikm </b>• Track 1 recorded May 14th, 2001, on Amplify 2001: Mainsine Festival, New York, USA • Track 2 recorded October 26th, 2000, at Le Confort Moderne, Poitiers, France • Track 3 recorded May 15th, 2001, on Amplify 2001:Mainsine Festival, New York, USA.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkYRuA97x9dc8gHbrW2CopX5UhJEls29ZaQElcPEWVR7R3O6GcsFxnpR2WZKywgpDnXI2AFTLVFRR1JD0Mi1oY1_EQDAO3Tkdc_Yn2zSy1-P4BUXT3k49PBmw8Eh0GeN1mH5XCCvL6nDxA/s1600/Poire_Z.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkYRuA97x9dc8gHbrW2CopX5UhJEls29ZaQElcPEWVR7R3O6GcsFxnpR2WZKywgpDnXI2AFTLVFRR1JD0Mi1oY1_EQDAO3Tkdc_Yn2zSy1-P4BUXT3k49PBmw8Eh0GeN1mH5XCCvL6nDxA/s200/Poire_Z.jpg" width="200" /></a>Poire_z {+} {erstwhile 022} — 2002 — check the <a href="http://www.discogs.com/Poire_Z-/release/369829" target="_blank">Discog</a> file about this release / <a href="http://www.mediafire.com/?58onu6w1bns0dgo" rel="nofollow" target="_blank"></a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-36610520597036790172012-04-24T11:47:00.000+02:002012-10-13T21:31:49.303+02:00Jamiila - Songs from a Somali city<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFnfimPd34EjTSD5LHZQoJaX6fhNkY6XkAKc3498Lp4hiezhtvaWP745xqcahNAqhdrey6exIDGULT0djes3mkPzYRZ3qldfgXaAs1el-F22OT07-FUFvQsJJKXf8XsvJ1ci9gG41id5EA/s1600/Jamiila.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFnfimPd34EjTSD5LHZQoJaX6fhNkY6XkAKc3498Lp4hiezhtvaWP745xqcahNAqhdrey6exIDGULT0djes3mkPzYRZ3qldfgXaAs1el-F22OT07-FUFvQsJJKXf8XsvJ1ci9gG41id5EA/s200/Jamiila.jpg" width="196" /></a></div>
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<b>Songs from Baraawe</b> — These recordings were conducted in the Eighties in the streets of Baraawe (or Brava, a few kilometres from Mogadiscio); they are little gems of popular african music. As in major areas of the horn, Arab and Asian influences are very strong, the guitar is played like the ’ud and the vibes of Bollywood trill through a small flute. Most surprising is however the free use of a small electric <b>Casio-type organ</b> and of its cheap drum machine, which gives quite a "video games" feeling to this rudimentary and totally unheard <b>Taarab</b>.</div>
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— Original Music {OMA 107} / 1987 — <a href="http://www.mediafire.com/?85jq8qivv9brimw" rel="nofollow" target="_blank"></a></div>
Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3832005351003714844.post-33213903465543253872012-04-10T10:36:00.000+02:002012-10-13T21:54:47.053+02:00Saw Le Aung<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGT1kccpowERpJ8ZXcc68MdU9ylC00FKjzZTIspJFmNbHjW3hqk6CbgatTDQQ6mYcH7_ZiFhEt6WGr8COcQxlbeni2iG_9yUBmSqOlA97HkvoFduee9e3_XyPpWauFrF8EYAf9QcMiNKG5/s1600/Saw+Le+Aung-BD.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGT1kccpowERpJ8ZXcc68MdU9ylC00FKjzZTIspJFmNbHjW3hqk6CbgatTDQQ6mYcH7_ZiFhEt6WGr8COcQxlbeni2iG_9yUBmSqOlA97HkvoFduee9e3_XyPpWauFrF8EYAf9QcMiNKG5/s200/Saw+Le+Aung-BD.jpg" width="200" /></a></div>
<span style="font-family: "Courier New",Courier,monospace;">Picked-up on a market in the <b>north of Burma</b> where it was unreservedly played on a loudspeaker, this tape is the recording of a young boy known as Saw Le Aung (from what I got as tranlsation), singing solo on an electric mandoline. His tunes are <b>pretty cheerful</b> with subtle variations of tones and attacks. The recording will enrapture lovers of repetitive musics and children voices, and those also keen on modern versions of traditional mountain tribes music from the area, such as the lao-thaï Mo Lam.</span><br />
<span style="font-family: "Courier New",Courier,monospace;">Listen to some excerpts <a href="http://biglemoi.free.fr/Pages/Saw-Le-Aung-ENG.html" target="_blank">here</a>.</span> <a href="http://www.mediafire.com/?zncbpvc1klbvhlb" rel="nofollow" target="_blank"><span style="font-family: "Courier New",Courier,monospace;"></span></a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-81282418002576773472012-03-10T18:37:00.002+01:002012-10-13T22:00:16.644+02:00RIP Gérard<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglNRCTwZw9tpFqzBd2u1gHm8LyPU8a8Uyj2Td8v7N-jskLuoalbnF98Qtw7lG9olEzB3_O6eP8hWnIj31nxcpxQtyFl0fBrNDe9dwJfprU71KHQs3LdMokI3OrnG6YHsZtfDc4lo17MeSm/s1600/HeyMax_Charlots.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglNRCTwZw9tpFqzBd2u1gHm8LyPU8a8Uyj2Td8v7N-jskLuoalbnF98Qtw7lG9olEzB3_O6eP8hWnIj31nxcpxQtyFl0fBrNDe9dwJfprU71KHQs3LdMokI3OrnG6YHsZtfDc4lo17MeSm/s200/HeyMax_Charlots.jpg" width="200" /></a></div>
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Gérard Rinaldi left us a few days ago… One of the finest french pop singer of the 20th century, leader of the infamous "<b>Charlots</b>" actually inspired Jimy Hendrix himself in the 60's with his title "<b>Hey Max</b>" ;) !</div>
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— Les Charlots — {Vogue EPL 8577} <a href="http://www.mediafire.com/?zs0iifbg9etn345" rel="nofollow" target="_blank"></a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-17903390207022189722011-11-06T17:36:00.000+01:002012-10-14T08:22:06.662+02:00Palladam S. Venkataramana Rao<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGcVvUa3LnmZJstoBf9-r5d3AmpORX1SzM-Yg0NBIb0EQRaoT4ieGEj_CRSzFG5MvlSZ4nZ-PTmI6N571PWVazEFIIRgPn3AsQb6kgDtHecJ19Mrc-vZbkyunJMnAMRXr6cGR8nT8u260P/s1600/VenkataramanaRao_ElaraSriKrishna_K7.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGcVvUa3LnmZJstoBf9-r5d3AmpORX1SzM-Yg0NBIb0EQRaoT4ieGEj_CRSzFG5MvlSZ4nZ-PTmI6N571PWVazEFIIRgPn3AsQb6kgDtHecJ19Mrc-vZbkyunJMnAMRXr6cGR8nT8u260P/s200/VenkataramanaRao_ElaraSriKrishna_K7.jpg" width="130" /></a></div>
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<span style="font-size: small;">Here is a new member in the modern instrument player family of carnatic music, <a href="http://www.palladamvenkataramanarao.com/" target="_blank">Palladam S. Venkataramana Rao</a>’s electronic organ. The man strives in a flawless and successful way to substitute a Yamaha DX100 to the traditional harmonium. A kind of W. Carlos’ <i>alter ego</i> in classical indian music!</span></div>
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<span style="font-size: medium;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Elara Sri Krishna - </span></span></span><span style="font-size: medium;"><span style="font-size: small;"><i style="font-family: "Courier New",Courier,monospace;">Tape rip</i><span style="font-family: "Courier New",Courier,monospace;"> {</span></span></span><span style="font-size: medium;"><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Sangeetha} / </span><a href="http://www.mediafire.com/?koa7xdxli383gt4" rel="nofollow" style="font-family: "Courier New",Courier,monospace;" target="_blank"></a></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-45567039035189721472011-06-28T16:22:00.001+02:002012-10-14T07:25:41.419+02:00L'homme à la caméra - Pierre Henry<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhItasxIBd9ywrjLTRwu1FSEQyPLYNVwRpZ2unEclQ3FzWqj7fHKHR107Yr82JOWPiouofMpPrkEeEAT8Gg6Yw8MLHh2EyfWETJ9258i6FE0R61NdwHrFc3tuGUbbbsHRSMfGq3li0-kTCV/s1600/Hommea%25CC%2580laCame%25CC%2581ra_PierreHenry.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhItasxIBd9ywrjLTRwu1FSEQyPLYNVwRpZ2unEclQ3FzWqj7fHKHR107Yr82JOWPiouofMpPrkEeEAT8Gg6Yw8MLHh2EyfWETJ9258i6FE0R61NdwHrFc3tuGUbbbsHRSMfGq3li0-kTCV/s200/Hommea%25CC%2580laCame%25CC%2581ra_PierreHenry.jpg" width="200" /></a></div>
<span style="font-family: "Courier New",Courier,monospace; font-size: small;">This piece of <i>Musique Concrète</i> by <b>Pierre Henry</b> was composed in 1993 for a unique screening of</span><span style="font-family: "Courier New",Courier,monospace; font-size: small;"> Dziga Vertov’s 1929 futurist film (Человек с киноаппаратом / The Man With A Camera)</span><span style="font-family: "Courier New",Courier,monospace; font-size: small;">. </span><span style="font-family: "Courier New",Courier,monospace; font-size: small;">Mainly composed with the use of sitar and piano wire loops, b</span><span style="font-family: "Courier New",Courier,monospace; font-size: small;">uzzing like swarms of bees, the whole work can</span><span style="font-family: "Courier New",Courier,monospace; font-size: small;"> be considered quite minimalist in the repertoire of the french composer (see <i>Gymnastique</i> for instance).</span><br />
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<span style="font-family: "Courier New",Courier,monospace; font-size: small;">— 1994, Mantra + Studio Son/Ré (Bernadette Mangin) - screening at Théâtre de la Ville in Paris 12 nov. 1993 > <a href="http://www.mediafire.com/?a6t6foai1imr8lz" rel="nofollow" target="_blank"></a></span>Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3832005351003714844.post-32899486908309349132011-04-05T20:19:00.000+02:002012-10-13T19:11:44.685+02:00Trio Erik Marchand - An Tri Breur {Silex}<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrjEUu4tnPmV2zRXjkDWlLHt9wJbqzGvBhHwvxzStpTwtuDb5UUR8drRUVbeH6_S5lJ8WQ2zRoApYCJYsGCbMwVSh7MkmGByNV3fRz9TRllMdQmmvYOUA1-jBMouo8xdknGEcjKTwyCp0b/s1600/TrioErikMarchand_cov.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrjEUu4tnPmV2zRXjkDWlLHt9wJbqzGvBhHwvxzStpTwtuDb5UUR8drRUVbeH6_S5lJ8WQ2zRoApYCJYsGCbMwVSh7MkmGByNV3fRz9TRllMdQmmvYOUA1-jBMouo8xdknGEcjKTwyCp0b/s200/TrioErikMarchand_cov.jpg" width="200" /></a></div>
<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"><b>Erik Marchand</b> (who took part in the previous Silex CDs I published earlier) was at the beginning of his musical </span></span><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">experiments</span></span><span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;"> when he released this smart album with <b>Thierry</b> <b>Robin</b> (’ud) and <b>Hameed</b> <b>Khan</b></span></span> <span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">(tabla) in 1997. Before he ventured with romanian taraf or rock musician Rodolphe Burger, here is a minimalist and successful attempt to gather Brittany traditional songs with eastern instruments. Needless to say it has with nothing to do with the cheesy new-age lounge music that was hype at that time!</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">Trio Erik Marchand with Yann-Fañch Kemener, Youenn Le Bihan, Fañch Landreau - "An Tri Breur (three brothers)" Chants du Centre-Bretagne {Silex Y225008} - 1997 > <a href="http://www.mediafire.com/?9bj6ltlfmkblf4b" rel="nofollow" target="_blank"></a></span></span>Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3832005351003714844.post-54549783499314332832011-03-31T20:08:00.000+02:002012-10-14T11:49:38.524+02:00Quintet Clarinettes - Musique Têtue + Bazh Du {Silex}<div class="separator" style="clear: both; text-align: left;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOtMPtNFibg3q-YZcHFw-yR-l0FDuuxx4SUMmoFMqiIWdQB51IZN3G4s2QMF6RhU5bzeiq2lpEeZNB-7PRHoxY1XO53dqKwBwc67XthtqmISU_XLfuPnw116cqV2ct-x9iSnmRfgRRFq9E/s1600/QuintetClarinettes_MusiqueT%25C3%25AAtue.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOtMPtNFibg3q-YZcHFw-yR-l0FDuuxx4SUMmoFMqiIWdQB51IZN3G4s2QMF6RhU5bzeiq2lpEeZNB-7PRHoxY1XO53dqKwBwc67XthtqmISU_XLfuPnw116cqV2ct-x9iSnmRfgRRFq9E/s200/QuintetClarinettes_MusiqueT%25C3%25AAtue.jpg" width="200" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7wuryi9_CKDCSfXI3GnCnUTxc6_nd1GflrtYZJxkfc_4PPG12kqBnxKYAYZS3trz8XkwsySYWYnSLkPddsbwIGCilM-u05l-lRZfyfdy47d4XrfLfRnXOkzjMvmJyHxMGel0AHWJoLzta/s1600/QuintetClarinettes_BazhDU.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7wuryi9_CKDCSfXI3GnCnUTxc6_nd1GflrtYZJxkfc_4PPG12kqBnxKYAYZS3trz8XkwsySYWYnSLkPddsbwIGCilM-u05l-lRZfyfdy47d4XrfLfRnXOkzjMvmJyHxMGel0AHWJoLzta/s200/QuintetClarinettes_BazhDU.jpg" width="200" /></a><br />
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Quintet Clarinettes was the association of five french musicians: Michel <b>Aumont</b>, Dominique <b>Jouve</b>, Dominique <b>Le Bozec</b>, Erik <b>Marchand</b> and Bernard <b>Subert</b> who created a new sound for the breton traditionnal music. They<span class="short_text" id="result_box"><span style="background-color: white;" title="ingénieusement"></span></span> ingeniously mixed the sound of classical clarinet and bass clarinet with the <i><b>Treujenn Gaol</b></i> from Brittany. This rudimentary clarinet (translated as Black Stick or <i>Bazh Du</i>, for it looks like the stalk of a cabbage) in just one octave, is played along the <i>bombarde </i>during<i> Fest-Noz</i>. Of course they had to ask <b>Louis Sclavis</b> to be on a few titles. I used to listen days and nights to these albums, and I must say, I even learned to play the clarinet thanks to these guys!</div>
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France - Silex Y225001 (1990) and Y225031 (1993)</div>
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<a href="http://www.mediafire.com/?t88uxpqxsehk4d0" rel="nofollow" target="_blank"></a> + <a href="http://www.mediafire.com/?0r471d22aczmjoz" rel="nofollow" target="_blank"></a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-28513756373882086672011-02-14T23:08:00.000+01:002012-10-13T16:16:47.373+02:00Trio Violon — La concordance des temps {Silex}<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKMbEZERoq9CwPpVPKx5snWJgA1VcAc5nfqki0uhKtbnWTyXLYl9heI35npj_aDgDMdSJWRlZqHk6HBktrZvSnrXdNdW5IK8GunYDi5uQulPmOiyo82Acfy2mOrFhc6L-vziQJFTdpUrud/s1600/TRIOVIOLON_Silex.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKMbEZERoq9CwPpVPKx5snWJgA1VcAc5nfqki0uhKtbnWTyXLYl9heI35npj_aDgDMdSJWRlZqHk6HBktrZvSnrXdNdW5IK8GunYDi5uQulPmOiyo82Acfy2mOrFhc6L-vziQJFTdpUrud/s200/TRIOVIOLON_Silex.jpg" width="200" /></a></div>
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<span style="font-size: small;">That's another gem from Silex I've regularly been listening to for a few decades (two basically, since it was released in 1991).</span><br />
<span style="font-size: small;">Three french fiddlers, or 'violoneux', Jean-Pierre <b>Champeval</b>, Olivier <b>Durif</b> and Jean-François <b>Vrod</b> have set a great menu of compositions inspired </span><span style="font-size: small;">by the traditionnal repertoire from </span><span style="font-size: small;">Limousin and Auvergne, </span><span style="font-size: small;">the geographical heart of France</span><span style="font-size: small;">. Although not as jazzy as the </span><span style="font-size: small;"><a href="http://lescontinentssonores.blogspot.com/2010/12/le-partage-des-eaux-andre-ricros-louis.html">André Ricros</a> recording I mentioned earlier, I always found </span><span style="font-size: small;"> this CD </span><span style="font-size: small;">hypnotizing for an obscur reason, maybe it has to do with those slow overlapping loops…</span><br />
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<span style="font-size: small;">France 1991 — {Silex Y225005} </span><br />
<span style="font-size: x-small;"><a href="http://www.mediafire.com/?9b2vgdezl13u7wv" rel="nofollow" target="_blank"><span style="font-size: small;"></span></a> </span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3832005351003714844.post-43192059054709027752011-01-09T20:36:00.000+01:002013-03-30T11:35:56.977+01:00Kantele {Martti Pokela - Eeva-Leena Sariola - Matti Kontio}<div style="font-family: "Courier New",Courier,monospace;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXxnHIaIr8sF9Qq5PzQBmtnmLQeRYaXGD-r75rU2PV3EO_S9vBoXQroJP6-EsHoN6I0teVhjQBXZqp1bVmqzc9R5E1KQY9-Cp2nHJWMxHl8sspC5aSEjFTPvZoyKiI2T2b79knEvVMvuVa/s1600/Kantele_cov.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXxnHIaIr8sF9Qq5PzQBmtnmLQeRYaXGD-r75rU2PV3EO_S9vBoXQroJP6-EsHoN6I0teVhjQBXZqp1bVmqzc9R5E1KQY9-Cp2nHJWMxHl8sspC5aSEjFTPvZoyKiI2T2b79knEvVMvuVa/s200/Kantele_cov.jpg" width="200" /></a></div>
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<span style="font-size: small;">A sort of <i>zither</i> (close to the latvian <a href="http://biglemoi.free.fr/Pages/Music_of_Solar_Rites-ENG.html"><i>kokles</i></a>) the <i>kantele</i> is a mainstay in Finnish music, a popular folk instrument <i>par excellence</i>. It appeared in the epic <i>Kalevala,</i> fallen in disuse at the beginning of the 20th century and then rediscovered by passionate musicians. This brilliant CD contains compositions recorded in the 60's and 70's by Martti Pokela, pioneer among the pioneers, inspired by Lapp traditional songs. The metallic sound, quite close to the harpsichord or the harp (horses’hairs were formely used for the cords) and the lonely solo playing give a kind similarity to the sound of musical boxes, with their melancholic tunes, as if this was funfair music from old times.</span></div>
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<span style="font-size: small;"><a href="http://biglemoi.free.fr/Pages/Kantele_Finlande-ENG.html">— listen to a few excerpts —</a></span></div>
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<span style="font-size: small;">1990 - Finlandia records FACD 018</span></div>
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<span style="font-size: small;">+ english booklet</span></div>
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<a href="https://www.box.com/s/hlkj3s12p9qjmzuoyw0k" rel="nofollow" target="_blank"></a></div>
Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3832005351003714844.post-34058315183112227842010-12-12T16:33:00.005+01:002012-10-14T08:55:13.990+02:00Le Partage des Eaux — {André Ricros + Louis Sclavis}<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDGQUjSz3mLKGXEVz28vtSHTFhvSKJes3mJqmqoO49Z_PcFUPj5Zg1LgZA_jLVNWxoxhCLbMseVy_4vGwZ4TIEEyG9GB1ikw52jpL6j_YYq1SNlO6GU1AYrMgrqMlYC5OWjFN4vJ7OU8Lk/s1600/RICROS_SCLAVIS+COVER_800px.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDGQUjSz3mLKGXEVz28vtSHTFhvSKJes3mJqmqoO49Z_PcFUPj5Zg1LgZA_jLVNWxoxhCLbMseVy_4vGwZ4TIEEyG9GB1ikw52jpL6j_YYq1SNlO6GU1AYrMgrqMlYC5OWjFN4vJ7OU8Lk/s200/RICROS_SCLAVIS+COVER_800px.jpg" width="200" /></a></div>
<span style="font-family: "Courier New",Courier,monospace;">Founder of the Agency for Traditional Musics from Auvergne (in the centre of France) as well as of the <b>Silex</b> music label, singer <b><i>André Ricros</i></b> also plays the </span><i style="font-family: "Courier New",Courier,monospace;">cabrette</i><span style="font-family: "Courier New",Courier,monospace;"> (a kind of small bagpipe, also known under the french name of </span><i style="font-family: "Courier New",Courier,monospace;">musette</i><span style="font-family: "Courier New",Courier,monospace;">) and is a great amateur of jazz music. On this album co-signed with clarinet wizard <b><i>Louis Sclavis</i></b>, and recorded with trombone master <b><i>Alain Gibert</i></b>, André Ricros composes with rythm boxes, bendirs, melodicas and samplers on traditional songs from the Auvergne country. Avoiding the too-often heard and insipid smorgasbord of fusion music, this heartly and innovative music shows cheerful inventivity and is far from any conservative nostalgia.</span><br />
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<a href="http://biglemoi.free.fr/Pages/Andre_Ricros-ENG.html"><span style="font-family: "Courier New",Courier,monospace;">- listen to a few excerpts -</span></a><br />
<span style="font-family: "Courier New",Courier,monospace;">France 1989 - {Silex Y 225003}</span><br />
<a href="http://www.mediafire.com/?2c5crzyx41yi3ym" rel="nofollow" target="_blank"></a>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3832005351003714844.post-56636145355304217292010-12-10T21:53:00.005+01:002012-10-14T09:13:13.453+02:00La Paloma - Hans Albers {1953}<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOIXO22KpxQhkqSahH3Mi_9z1MW7oEWYWDEDQvnrg46zUbNb-vzBaAX0YQl5RhSzwDv5fzu-QsGg_D31M_vjE3lhcBKailAOL_YCIYKx5tBbeXFjZwrR3saf99aI5Ey07XuFIpwl79FeII/s1600/HansAlbers_LaPaloma45t.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOIXO22KpxQhkqSahH3Mi_9z1MW7oEWYWDEDQvnrg46zUbNb-vzBaAX0YQl5RhSzwDv5fzu-QsGg_D31M_vjE3lhcBKailAOL_YCIYKx5tBbeXFjZwrR3saf99aI5Ey07XuFIpwl79FeII/s200/HansAlbers_LaPaloma45t.jpg" width="200" /></a></div>
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This recording of <i>La Paloma </i>by Hans Albers is part of the amazing <b><a href="http://www.trikont.com/basics/cgi-tdb/basics.prg?session=5243b8554d028442_117966&a_no=63&suchbegriff=Paloma&r_index=10.1">Trikont collection</a></b> attempting to gather as many recordings of this old song as possible. But when my wife bought this 1953 EP in Hamburg for my birthday, we would not know that Albers was as famous as the tune itself… The way he nonchalantly (not to say drunkenly) sings along with the accordion and an ethereal choir, actually made us thought of the perfect score for a SpongeBob SquarePants episode (the Popeye cliché on the cover is also great)!</div>
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1953 - Decca - vinyl ripped</div>
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Unknownnoreply@blogger.com2