This piece of Musique Concrète by Pierre Henry was composed in 1993 for a unique screening of Dziga Vertov’s 1929 futurist film (Человек с киноаппаратом / The Man With A Camera). Mainly composed with the use of sitar and piano wire loops, buzzing like swarms of bees, the whole work can be considered quite minimalist in the repertoire of the french composer (see Gymnastique for instance).
— 1994, Mantra + Studio Son/Ré (Bernadette Mangin) - screening at Théâtre de la Ville in Paris 12 nov. 1993 >